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Abstract

This dissertation investigates Princess Diana's multifaceted representations across diverse media platforms, analysing the tension between audience engagement and historical accuracy in depicting her character. Utilizing textual analysis and socio-historical contextualization, the study explores Diana's portrayal as a cultural symbol, shaping public perceptions of both her and the Royal Family. Primary research includes examination of productions such as The Crown (2016) and Harry & Meghan (2021), alongside pivotal sources like the BBC's Panorama interview with Diana (1995). By synthesizing theoretical frameworks such as Laura Mulvey’s ‘Male Gaze’ (1999), the research delves into Diana's roles as a mother, wife, and royal figure, examining how media genres impact her depiction.
Chapter One examines Diana's motherly portrayal in Harry & Meghan and The Crown, analysing the portrayal's impact on her legacy. Chapter Two focuses on her depiction as a wife, contrasting the 'fairy tale romance' with the 'prime-time drama' of her divorce, exploring how media representations reflect and challenge societal perceptions. Chapter Three delves into Diana's death portrayal, scrutinizing documentary strategies and the fictionalized rendition in The Crown to understand the evolving discourse surrounding her legacy. Through a comprehensive analysis of British media sources, the study offers insights into monarchist perspectives shaping Diana's portrayal and its broader cultural implications.

Course: Film Studies - BA (Hons) - C1256

Date Deposited: 2024-08-08

URI/permalink: https://library.port.ac.uk/dissert/dis14438.html