Abstract

Flow theory describes the psychology of optimal experience, a state of consciousness which has been linked to improved creativity, performance, and satisfaction in all human activities. M. Csikszentmihalyi (1990) identified the components and conditions of this state, and showed how interactive processes can be adapted to stimulate flow. Interpreting results and data from personal projects, interviews, and supporting literature, this research links the components of flow to various parameters of the computer music creation process. It puts forward a number of flow-oriented design strategies, including a structured technique for evoking flow (“audio puppetry”), aiming to provide a tentative basis for further research towards the development of a didactic model. The thesis concludes that a model of flow in computer music creation would be beneficial for musicians and educators alike, and offers numerous recommendations for further research.

Additional Notes

In collaboration with Utrecht School of the Arts - Faculty of Art, Media, and Technology

University of Portsmouth Supervisors: Tony Kalus and Chris Creed

Utrecht School of the Arts Supervisors: Rens Machielse and Gerard van Wolferen

 

Course: Master of Philosophy - MPhil

Date Deposited: 2017-05-17

URI/permalink: https://library.port.ac.uk/dissert/dis12890.html