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Abstract

This dissertation seeks to explore the transitions of Scotland after the battle of Culloden in 1746 – how Highland Scotland, initially perceived as a demonic, barbaric ‘Other’ was by the end of the century perceived as antiquarian and romantic. Defining domestic colonialism and romanticism, it will explore how perceptions of the Highlands changed over forty years, ultimately arguing that this was only possible through cultural appropriation by Lowland Scottish and English elites. 

Highland culture in the mid-eighteenth century is of great significance due to the nature of English and Lowland colonialism implemented in the Highlands. Within this domestic sphere, the forms of colonialism that was implemented would later be used in the international empire. Furthermore, the forms of romanticism that were used within the Highlands were not only different to forms of English romanticism, but also emerged earlier than the Romantic movement itself. Through this argument, it will look at primary sources such as satirical drawings to relate to the demonic Highland ‘Other.’ In addition to this, it will also look at poetry and paintings to establish how the Highland romantic ‘Other’ was formed. This brutal attack on Highland culture, which did not go unresisted, would evolve into a longer-term process of cultural appropriation, losing the culture but also transforming it at the same time. 

Course: History - BA (Hons) - C1087

Date Deposited: 2021-07-01

URI/permalink: https://library.port.ac.uk/dissert/dis13691.html